Yellow George is the publication collective of Schmick Contemporary working on Gadigal land ( Sydney) who are interested in publication as a site of creative practice and yellow cats called George. This project was supported by a Sydney City Council Grant.
contact each artist directly or yellowgeorge.com@gmail.com
carolyn craig Termite Texts , 2020 concrete and pigment prints. Termite Texts examines the home as relational discourse – to capital – feminist politics and the need to de-centre modes of production and viewing. It involved myself = termites – a house – a builder –three pest control providers and a radio producer. Using site-based investigation, I considered structure – as object – discourse and thought through dismantling my home. I saw the house as a geographic and sociological enterprise and asked how do we dismantle capital relations of desire and learn to talk to termites? $1200 carolyncraig68@gmail.com
Damian Dillon Dystopian candy 2020 digital prints from direct scans with collaged negatives and contact prints , $80 edition of 2 dillondamian@hotmail.com
Lynne Eastaway yellow book , folded concertina, mixed media 28 x 9cm ,2020 $350 leastawa@hotmail.com
Lynne Eastaway Notebook , found object with mixed media , 2020 20 x 12cm. $200
David Manley The Post-Traumatic Urbanist 2020, digital edition by Darkstar Graphics. 24x 16cm. ” we live our lives within a televisual field and are thereby subject to an almost continual live feed of trauma-related events that have come to define our visual experience of the world” David Manley. davidmanleyphotography@gmail.com $35
Carolyn Craig , Boxing with Beuys part 4, sublimation prints onto fabric, wood cover , 2020, $90
Lynne Eastaway incomplete ( red) 19 x 18cm mixed media in bound book, $400
Emily Taylor Supreme , 2019 explores the material configurations that characterise a digitised world. The use of collage exposes the compulsion to react to the steady stream of information that both digital and print media deliver on a daily basis. $20
Ali Crosby Gang re:Publick ( with rebecca conroy) uses publication as a cultural practice. Indonesian/Australian collaborative writing project. 23x 16cm. $30. ali@alimander.com
Tessa Zettel and Susie Nelson Making Time: An illustrated compendium of notes on preserving food and futures in an age of unsettlement, 112 pages, 4 colour risographs from hand drawn images, hand bound, 2017, $65. An experiment in artist publishing that is cookbook- documentation and aesthetic practice. The work documents recipes, collective food preservation, jars and emails from participants and other material generated over the course of the making time project. Printed with the Pizzeria, Sydney. http://www.cloudship-pres.org
Tessa Zettel , Micro-economies of San Franscisquito/Micro-economias de San Francisquito , fold out artist book in 3 parts, 2 colour risograph 14 x 39.5cm. Made in BEMA , artist space in Queretaro (Mexico) at the social design class ‘ design for the living world’ . Each of the 3 concertina parts covers one full street in the neighbourhood around BEMA, alongside these are the stories of residents. 2020 $55 http://www.cloudship-press.org
Esther Neate Pine, twelve times removed 2020 41x 19.2 x 1.2cm esthermneate@gmail.com
Weathering Collective Occasional Weathering Report Supplement #1; But how are we going to print the moon? or the weather of one’s stride as a measured by a plastic bucket, a string , a piece of paper ,a pencil, a movement and time, 2020 risograph. the first of a series of supplements produced by the Weathering collective , a slow growth interdisciplinary collaboration between Tessa Zettel, Astrida Neimanis, Jennifer Hamilton, Rebecca Gggs and Kate Wright that explores weather and climate change as embodied experience. $8
yellowgeorge 